Click here to try it for free
All subscribers will gain access to an archive of 18 issues:
Available to read:
Available to read:
Arnold Whittall on Sir Peter Maxwell Davies; David Ponsford and Andrew Thomson on Peter Williams; David Humphreys on Tallis’s Missa Puer nobis natus est; Alon Schab on Dowland’s Lachrimae; Steven Plank on Purcell and the night; Simon Fleming on Avison and Corelli; Rodney Stenning Edgecombe on Il barbiere di Siviglia; Olga Baird on Pleyel’s ‘Twelve German Songs’; Lucas Wong on humour in Debussy’s Douze études;
Godwin Sadoh on Joshua Uzoigwe
With its slow-cooked articles and book reviews designed to nourish souls famished by the fast food of musical journalese and the indigestible gristle of the ‘research paper’, The Musical Times – scholarly yet accessible – really needs no introduction. Officially launched by its venerable longtime publishers, Novello, in 1844 (exactly ten years after Robert Schumann co-founded the Neue Zeitschrift für Musik), it even appeared regularly (unlike its German sister) during World War 2, making it the world’s oldest continuously published periodical devoted to western classical music.
During its (sometimes volatile) 170-year-old history, involving several changes of publisher, the MT has provided an essential window on to the worlds of contemporary composition, historical musicology, performance practice, and other enduring aspects of the artform. For much of its life it offered comprehensive coverage of the new and the old on a monthly basis, before settling into its current quarterly format (March, June, September, December) in the late 1990s.
Our regular contributors include well-established authors and performers such as Arnold Whittall (on contemporary music and matters Wagnerian), Peter WIlliams (on the Baroque, performance practice and things that niggle him), and Peter Phillips (on Renaissance polyphony and whatever else takes his fancy), as well as scholars at the start of their careers and others, more advanced in years, with bees in their bonnets.
We hope you will enjoy the free trial issue, which shows something of the scope of our interests. We really do believe that the greatest music is word from another world, and we try to be true to this in the words that we write about it.
If you have an iPad or iPhone you can read the latest issue as well as the extensive archive via the The Musical Times app.
Android owners can also read the magazine with the Exactly app. Click here to download or search for Exactly on the Google Play Store.
For full access, just log in with your Exact Editions username and password when prompted by the app.
All subscribers will gain access to all 18 issues:
Copyright © 2016 Exact Editions Ltd.