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All subscribers will gain access to an archive of 117 issues:
Available to read:
Available to read:
- Garsington's "Intermezzo"
- Adrianne Pieczonka
- Handel's oratorios on stage
- Opera stars of the Napoleonic Wars
- Bayreuth: business and pleasure
Described as "the bible of the industry" (The Daily Telegraph), OPERA has been the world’s leading commentator on the lyric stage for over 60 years. Founded in 1950 by the late Lord Harewood, we continue to provide unrivalled coverage of events through a mixture of reviews (live performances, recordings, books, CDs and DVDs), features and analysis, plus listings of all major opera houses and events worldwide. Our long-standing editors – Harold Rosenthal, Rodney Milnes and, since 2000, John Allison – have ensured continuity and our editorial board is made up of the most distinguished opera critics from Britain’s national newspapers. Though London-based, we have a network of international correspondents, covering performances from every corner of the globe.
Digital access is now FREE with a print subscription! Visit www.opera.co.uk to subscribe. Digital access provides a wonderful opportunity to access OPERA whenever you like, to quickly and easily search every copy dating back to 2006 and you will also be alerted via email when your latest copy is available to read.
If you are interested in taking out a print subscription, which includes FREE digital access, please visit: www.opera.co.uk
If you are interested in a digital only subscription, please visit: www.exacteditions.com/opera
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Digital subscribers can also read the magazine in the 'Exactly' Android app. Click here to download.
Print and digital (annual): From UK £58.40, Airmail Europe £86, Airmail rest of the world £103.
Digital only: annual £45, three months £12.
Institutional: £300 per site/annum.
App subscription: annual £49.99, one month £4.99.
All subscribers will gain access to all 117 issues:
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