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July August 2011 Number 119 Published June 10
Archaeology British
THE VOICE OF ARCHAEOLOGY IN BRITAIN AND BEYOND
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News
Letters
My archaeology
Greg Bailey / Phase 2
The first invaders
At the movies
Flying over Wales
A Roman villa to save
North Sea shores
Science
Bishopstone & Lyminge
Archaeology for people
Mick’s travels
Books
Briefing
CBA correspondent
Spoilheap
Marlborough Mount, bone heap and what’s been in the news
The cost of treasure and the challenge of archives
David Clarke looks back on a life in Scottish museums
Farmers on the radio, corrections and extra book notes
What happened when archaeologists dated the neolithic
7 great films archaeologists say you should see
Toby Driver looks down on 25 years of archaeological finds
Will Bowden argues the case for Southwell’s unusual villa
Special feature on new art and archaeology of early hunters
Sebastian Payne looks at new ways of examining rock art
Gabor Thomas considers village origins in Sussex and Kent
James Dixon reflects on the April riots in Bristol
Mick Aston goes to west Dartmoor
Hunter-gatherers, modern Britain and Bishopstone
Listings of fieldwork, CBA network and conferences
Don Henson looks at successes and challenges in education
The curious things archaeologists sometimes get up to
FIRST SIGHT Photo shows a detail of 31 Chinese neolithic pots that constitute the artwork by Ai Weiwei, Colored vases (2010), in the UK for the first time. Ai is arguably the world’s most important practising artist, and his controversial use of antiquities is deeply archaeological. He disappeared on April 3, and as we go to press he and four colleagues detained by the Chinese authorities remain uncharged. See Briefing
As archaeologists, with the entire span of culture history as our “laboratory”, we cannot afford to keep our theoretical heads buried in the sand. We must shoulder our full share of responsibility within anthropology. Lewis R Binford, in “Archaeology as anthropology” (American Antiquity 1962), who died on April 11 aged 79
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