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* Degreeissuedin partnership with Middlesex University , London

THE AUDIO ENGINEERING COURSE WITH A DIFFERENCE. OUR GRADUATES WORK.

CERTIFICATE - DIPLOMA - DEGREE*

IT’S YOUR CHOICE

www.sae.edu

London0207 609 2653 Liverpool 0151 255 1313 Glasgow0141 429 1551

50 Institues in: USA FRANCE GERMANY HOLLAND SWEDEN BELGIUM AUSTRIA SWITZERLAND SPAIN ITALY SLOVENIA GREECE KUWAIT JORDAN AUSTRALIA NEW ZEALAND UNITED ARAB EMIRATES INDIA MALAYSIA SINGAPORE Soon in: TURKEY and JAPAN 36 Reason 4 Workshop Mastering techniques

M+

S+

56 Ten Minute Master Middle and side

A single P i e z o e l e m e n t

78 TL Audio Fat Track

52 Ableton Live 7 Workshop Live audio routing

90 Review IK Multimedia SampleMoog

S

Contents March 2008

Full listings

006 On your MTM coverdisc 009 News Events from NAMM 2008

022 Rack ’em up

024 The Art of Distortion Is distortion the secret weapon of professional audio production?

034 Subscribe to MTM Save money and never miss an issue!

036 Reason 4 Workshop Mastering techniques 040 Ten Minute Master No123 Contact microphones 042 Logic Pro 8 Workshop Match EQ

047 Laptops Live! Spice up your sets with some pre-planned improvisation...

052 Ableton Live 7 Workshop Live audio routing

055 US Subscriptions

056 Ten Minute Master No124 Middle-and-side mic’ing 058 Cubase 4.1 Workshop Tempo & transpose 062 Create Your Own Hip Hop Samples Building unique beats and breaks

068 Pro Tools 7.4 Workshop Stretching audio

073 Studio Answers Your technical queries resolved

078 Review TL Audio Fat Track

081 Review PreSonus FireStudio Project 085 Review Superlux R102 086 Review INTA Audio X4S 088 Review Synaptricity Flashback & Centrifuze

090 Review IK Multimedia SampleMoog

092 Back Issues

094 Review Alesis MultiMix 16 096 Review Focusrite nio 2 | 4 097 Review Sonnox Transient Modulator 100 Review Arturia Analog Factory 2

103 Mini Reviews

112 Write for Reply

114 Back Track Jellyfi sh Bye Bye Bye

ON YOUR

Turn over to fi nd ou t

DVD cove rdisc... 81 Review PreSonus FireStudio Project

what’s on this mon th’s

Music Tec h Magazin e

MusicTech MAGAZINE March 2008 5