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feb/mar 2008 red pepper04
Editors Hilary Wainwright, Oscar Reyes dEputy Editor Tamanna Kalhar
production Steve Platt
dEsign & production Tom Lynton www.tomlynton.com
political corrEspondEnt Alex Nunns arts corrEspondEnts Cassandra Harwood, Lena de Casparis, Sally Tallant
sports corrEspondEnts Anne Coddington, Mark Perryman latin amErica Editor Pablo Navarrete
sub Editor Sarah Benton
WritErs Naima Bouteldja, Nick Buxton, Matthew Carr, Katie Coyne, Mihail Dafydd Evans, Gemma Galdon Clavell, Jan Goodey, Ben Hayes, Keith Hayman, Stuart Hodkinson, Solomon Hughes, Mathew Little, Vittorio Longhi, Melanie McFadyen, Enzo Mangini, James O’Nions, Roz Paterson, Angela Saini, David Sambrook, Chris Sands, Graham Usher, Derek Wall, Jonathan Wright
translators Ilaria Perlini, Roberto Navarrete
picturE rEsEarch Dan Tierney rEsEarchEr Jaimie Grant Visuals Martin Rowson, Ros Asquith, Andrzej Krauze, Matt Murphy, Tim Saunders
publishEr Fiona Osler fiona@redpepper.org.uk
officE managEr Dan Tierney subscription salEs Pack Post 01296 489550
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contents
regulars
03 Editorial Struggling on shifting sands 06 lEttErs agony subcomandauntiE 08 plattitudEs The world according to Steve Platt 19 knoW your EnEmy David Kilcullen, General Petraeus’s key adviser 24 pictorial From south to north
29 asylum Watch Minding your language 30 tEmpEraturE gaugE Growing money on trees 36 dEmocracy noW! Our prerogative 47 natural born rEbEl Farida Nekzad 66 booktopia Michael Kustow 67 rEarViEW Weapons of Mass Communication
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culture
BOOKS 62 planEtary mythology Romy ClaRk reviews The Myth of Mars and Venus 63 an intriguing bunch Sheila Rowbotham on radical alternative thinkers who sought to re-imagine or abolish the state 64 rEViEW roundup rEd pEppEr rEcommEnds FILM SPECIAL 54 WhEn thE EnEmy is at thE door will atkinSon talks to ken loaCh about film and social change 57 lEtting pEoplE spEak Siobhan mCGuiRk talks to kim lonGinotto about the power of documentaries
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59 guErrilla guidEs Documentary maker aStRa tayloR shares her filming tips 60 thE films WE miss and Why Film policy activist luCiana CaStellina tells us what we’re missing on the international cinema scene
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