CraftFestivalTheContemporary

Mill Marsh Park, Bovey Tracey, Devon In association with the Devon Guild of Craftsmen 15-17 JUNE 2012

Cover Image: Queen Elizabeth's II coronation by Cecil Beaton courtesy the V&A museum.

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(ISSN: 1742-254X) is published bi-monthly six times a year in January, March, May, July, September and November by Selvedge Ltd. Registered Office 14 Milton Park, Highgate, London, N6 5QA. Copyright © Selvedge Ltd 2012. All rights reserved. Reproduction in whole or in part without written permission is strictly prohibited. The editor reserves the right to edit, shorten or modify any material submitted. The editor’s decision on all printed material is final. The views expressed by contributors are not necessarily those of Selvedge magazine, Selvedge Ltd or the editor. Unsolicited material will be considered but cannot be returned. Printing: Westdale Press Ltd UK. Colour Origination: PH Media. Web Design: datadial. Distribution: DHL Global Mail, Periodicals Postage Paid at Rahway NJ. Postmaster send address corrections to Selvedge Magazine, DHL Global Mail (UK) Ltd, Mills Road, Quarry Wood, Aylesford, Kent, ME20 7WZ. Subscription rates for one year (6 issues): Paper Magazine, UK £50.00; Europe €75.00; USA $75.00; Canada C$135.00; Australia AU$100.00; Japan ¥10,500; Rest of World £75.00

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Contributors

With the Royal Wedding last year and the Diamond Jubilee in progress, monarchy is having a moment in the sun. And whether you’ll be watching the Thames Diamond Jubilee Pageant, hosting a street party or just taking advantage of the bank holiday and heading out of town, there’s no denying most of us welcome a reason to celebrate.

The coronation brought together the skills of designers, weavers, embroiderers and many others to create a spectacle that would be seen by more people than any previous royal pageant. As a result of television Elizabeth II was the first British Sovereign to be truly crowned “in the sight of the people”. Clare Lewis looks at the work of individual craftspeople during the preparations for the Coronation, pg 30. Commissions are the lifeblood of the craft economy: events such as royal weddings and coronations provide opportunities for traditional skills to be showcased in their full glory. And though such occasions are in short supply, the infrastructure of our monarchy – the upkeep and repair of stately homes – is an important factor in creating the demand for traditional crafts. Weaver Felicity Irons, pg 42, recently completed rush matting for the long gallery of Elizabethan mansion Hardwick Hall.

At the start of the five months of Diamond Jubilee celebrations, Queen Elizabeth II renewed her vow to serve, saying that she wanted to “Dedicate myself anew to your service”. For six decades poise and understated elegance have been the cornerstones of her reign. Much of her public persona was initially fashioned by two men, photographer Cecil Beaton, pg 26 and designer Norman Hartnell pg 32. The latter was responsible for both her wedding and her coronation dress. Other elements of her image, such as her ubiquitous handbag, are more likely to have been her own invention. The contents of her bag though the subject of much speculation, remains a secret so Amy de la Haye sheds light of other historical handbags, pg 14 and looks at them from a psychological point of view.

Queen Elizabeth II is the most travelled monarch in history with 256 official overseas visits – no doubt her luggage is impeccably packed. We’re not sure if Neil McAllister lines his suitcase with tissue but this issue he journeys to Pakistan, pg 54, (the Queen visited in 1961) and discovers wonderful textiles. You’ll have to travel quite far to escape the Jubilee celebrations which are taking place worldwide. If you’ve decided to join in why not make your own souvenir like our pick of this year’s Graduating Students, pg 23.

What would be your ideal souvenir of London?

MARK LAZENBY, pg 35

My ideal souvenir from a trip to London would be a full belly after a beautiful meal at my favourite restaurant Shampers on kingly street! A Kurt Schwitters, Joseph Cornell or Peter Blake collage pinched from Tate Modern! (maybe all three) or probably more realistically some choice old paper find in Portobello Road Market

I make sometimes two cakes a day for my greedy family and they're always a utilitarian affair, so I’d indulge in an French fancy or strawberry tart from the Soho Patisserie Valerie – not a long-lasting souvenir but I’d eat it by myself and, Proustian style, the memory would linger.

HELEN POZNIAK, pg 42

'The perfect souvenir for me would have to be – as I am a photographer – a lovely snapshot of my two children. I’m sure London would be able to provide the perfect backdrop and I’d have my memories of the day to frame and put on our mantlepiece.

Polly Leonard Founder Selvedge magazine

ANDREW MONTGOMERY, pg 42

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